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Essay on The Development of Hindi Prose in simple words
In all the languages of the world, poetry was first composed, prose is considered after it. Therefore, prose is a developed form of literature. In the past times of Hindi literature, the use of Brajbhasha was limited in scope through the medium of religious preaching, life writing, etc.
In the modern period, on the basis of democratic ideals, the structure of life began to change, then the prose of prose came in the fields of education, administration, industry, science etc., which also had an impact on literature. Later, the modern period of Hindi literature was also called ‘prose era’.
To establish the foothold of the English state in India, the British administrators developed two language styles of Hindi spoken separately as a medium of public relations. In the early nineteenth century, inspired by Gilchrist, Lann Lal, Sadal Mishra, Isha Alla and Sadasukh Lal wrote prose in both Arabic, Persian, mixed and non-genres.
In the Bharatendu period, prose was written on subjects related to ordinary life and variety of language-use was brought in subject. The field of prose became widespread. Plays, novels, stories, essays, satire, etc. were all written.
All their authors continued to use the language according to their clean instincts, but it remained in a state of experimentation. The form of prose could not be determined, as well as the grammar-system remained weak.
Raja Lakshman Singh, Raja Shiva Prasad Stars Hind, Devaki Nandan Khatri, Pratap Narayan Mishra, Lala Srinivasa Das, Balakrishna Bhat, Balmukund Gupta, Badri Narayan Chaudhary, etc. were prominent prose writers of the Bharatendu period. Eliminating the linguistic cleanliness and grammatical laxity of the Bharatendu period provided the stability of Hindi-language and the diversity of prose-literature, by Acharya Mahavir Prasad Dwivedi and ‘Saraswati’ magazine. It was during this period that an authentic grammar of Hindi written by Kamta Prasad Guru was published.
With the sophistication of the Hindi treatise, Acharya Dwivedi had inspired writing on various topical and science-related essays, memoirs, autobiography, journalism, etc. in addition to the prevalent genres. Various genres were also introduced in the review mode; Such as analytical descriptive decision styles. In this era, the work of translation also increased.
Thus, prose literature became all-round and versatile in the Dwivedi era. Premchand, Shyamsunder Das, Chandradhar Sharma ‘Guleri Padya Singh Sharma, Sardar Purna Singh, Acharya Ramchandra Shukla etc. are prominent among the prose of this era. Poets of this era include Ayodhya Singh Upadhyay ‘Hariodh’, Jaishankar Prasad, Suryakant Tripathi ‘Nirala’, Sumitranandan Pant etc.
Shadowism is called the rebellion of middle-class consciousness. It is the sixth sight of rebellion not only in poetry, but also in prose-genres. Language and artistic terminology were encouraged. Psychological examination of life’s endings was welcomed in prose-literature.
The poet’s attitude and atmosphere were also recognized in the evaluation of the compositions in the review-mode. Radio-plays and expressions were developed well. These features are illuminated in the prose works of Mahadevi, Prasad, Chatursen Shastri, Pt Bechan Sharma ‘Ugra’, Ram Kumar Verma, Nandadulare Vajpayee, Viyogi Hari and Rayakrishna Das.
The current modern form of prose is more intellectual; In the eclipse, sound and semiotics predominate. The sharpness of sarcasm is also no less. In the present era, the field of prose has become so wide that even poetry is stricken with prose. Due to the prevalent circulation of periodicals and magazines, there are immense possibilities for the development of prose.
The prose of Hindi prose was as simple as today, its pace is as fast and complex. His expression has expanded so much that his qualification to become the official language of independent India is most assured.